I bought a box set of Yes Minister/Yes Prime Minister recently. If you’ve never heard of it, it’s a fairly old TV sitcom about Jim Hacker MP, a newly appointed minister, and his Permanent Secretary Sir Humphrey Appleby, and his Pricipal Private Secretary, Bernard.
It’s mostly fictitious – Hacker is a member of a non-party, and their policies aren’t mentioned much. Even so, various ‘real’ events make their way into the show. Mostly, it’s a satire of the whole political system. Superbly done, it shows all the weaving and red-tape so beloved of government.
The thing is, it’s more about good writing, good acting, and good situations. The overall theme of the show is irrelevant really. It just provides a good frame for the comedy to hang off of. Yes Minister does that. It’s a shame so many new comedies don’t do that. They’ll have the characters perhaps but they’re always playing for laughs which, ironically, isn’t funny. Many comedies feel forced, or they’ll resort to silly slapstick humour for the laughs. Time Gentlemen was the ultimate in that respect. It did everything a comedy shouldn’t do.
There’s this notion in comedy that you have to be laugh-a-minute, but that isn’t the case. So many great comedies (Frasier for example) were funny because they weren’t always funny. Real people aren’t always funny, so you can connect with that. If a writer doesn’t make room for ‘other’ situations, then there’s no conduit into the characters, you as an audience don’t relate, and you don’t laugh so much. The end result being 30 minutes of throwaway one-liners, and a bored studio audience laughing out of politeness.
So in order to find ‘good’ comedy, I’m going backwards with what I watch. I just hope the next ‘great’ comedy writers are coming. Don’t get me wrong, there’s a few – Graham Linehan, Peter Kay, Kevin Cecil and Andy Riley, but there should be more. Maybe they’re out there and producers aren’t finding them. Who knows. What I do know is that I’m bored of most British comedies.


